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Wellesley
Filmmaker Goes
to Bat for the Game
of Baseball
The
first image the
world saw the morning
of Senator Edward
Kennedy’s
funeral was through
the lens of Eric
Scharmer of Wellesley.
As a seasoned freelance
camera operator,
Scharmer doesn’t
always know from
one day to the next
what he’ll
be hired to shoot,
but after more than
16 years in the
field he’s
been witness to
historic events,
visited exotic places,
and captured images
that bring heartfelt
stories to screens
large and small.
It’s
glamorous work,
he admits—except
when it isn’t.
For
Kennedy’s
funeral, Scharmer
set up his equipment
outdoors at 6 a.m.
and shot a few minutes
of pool feed that
was distributed
to news organizations
around the world.
The next eight hours
he spent standing
in the rain waiting
for security to
allow him to leave.
Indeed, much of
what a good director
of photography (“DP” is
his preferred title)
does, Scharmer says,
is to be alert to
capture those few
moments of action
that embody the
essence of the subject,
illustrate a point,
or just make for
great viewing. It’s
not uncommon for
all but a few minutes
of a whole day’s
shoot to wind up
on the proverbial
cutting room floor.
Besides
mastering the mechanics
of the camera and
understanding the
play of light, a
good DP needs to
be able to actively
observe–
without
interrupting–the
natural rhythm of
the scene. For that
kind of patience,
it sure helps to
love your subject,
Scharmer says, and
he’s
made a point to
focus his camera
on his passions:
from pirates to
sharks to extreme
skiing, but nothing
has captured his
attention more than
the game of baseball.
After all, he says, “baseball
is life.”
Going
underwater
In
1988, a young Scharmer
spent the first
of many summers
on Cape Cod working
as a diver on the
exploration and
recovery of the
pirate ship Whydah
that sank off the coast
of Wellfleet in
1717. This experience
opened the door
to his career as
an outdoor/adventure
photographer. He
began working as
an assistant cameraman
on other underwater-related
projects for the
Discovery Channel,
many of which were
part of Discovery’s
popular Shark
Week series.
“It’s
a double-edged sword,” Scharmer
says of filming, “because
if you have a bad
day, it’s
all right there
in the dailies.” (Dailies
are raw, unedited
footage.) Unlike
many professions
where you can go
back and fix mistakes,
you can’t
simply re-cue a
rainbow over a ballpark
during the game’s
last inning because
you had the lighting
wrong.
Tall
and lean in jeans
and bare feet in
his home office,
it’s
easy to imagine
Scharmer two decades
earlier spending
his winters in Vail,
Colorado, skiing
on the Pro Mogul
Tour and his summers
diving and filming.
He soon was able
to combine these
skills, producing
and shooting a number
of ski-related films.
These included two
trips above the
Arctic Circle and
numerous excursions
around the world.
In 2002, he was
inducted as a National
Member of The Explorers
Club for his contributions
to underwater archaeological
and arctic exploration.
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Scharmer
moved to Boston
in the mid-1990s
and became a regular
behind the scenes
at New England Sports
Network (NESN).
He shot pre- and
post-game interviews
of Red Sox and Bruins
games as well as
adventure shows
like Charlie
Moore Outdoors and has
three Emmys to his
name. As a member
of the press, he
had a key to Fenway
Park and has vivid
memories of Roger
Clemens’s
last season with
the team in 1996
and Ted Williams
attending the All
Star Game there
in 1999.
In
2002, Scharmer and
long-time Vail friend
Anthony Keel founded
Eye Candy Cinema,
a Waltham-based
production company
that specializes
in outdoor-oriented
film and television
as well as institutional
projects. It’s
baseball, however,
that’s
very much at the
company’s
core. Its first
major project was
contributing principal
photography to Still
We Believe: The
Boston Red Sox
Movie that documented
the 2003 season
and the team’s
relationship with
its fans. Scharmer
made connections
that lead him first
to summer baseball
on Cape Cod and,
more recently, to
Alaska.
Touching
the Game
In
2001, Hollywood
released the romantic
comedy Summer
Catch starring Freddy
Prinze Jr. as a
local boy playing
Cape baseball and
Jessica Biel as
the rich girl on
vacation. The movie
was a critical flop,
but its portrayal
of the Cape Cod
Baseball League
(CCBL) raised the
ire of many Cape
residents who volunteer
their time, money,
and homes in its
support. They wanted
to tell their own
story.
Scharmer,
together with three
partners, took up
the challenge of
filming players,
coaches, and host
families for the
upcoming 2003 season. Touching
the Game: The Story
of the Cape Cod
Baseball League was born.
With
its tradition of
wooden bats, free
admission, and family-friendly
atmosphere of no
alcohol, CCBL games
have been a quintessential
summer experience
since 1885. There
are ten CCBL teams
in all: Bourne Braves,
Brewster Whitecaps,
Chatham Anglers,
Cotuit Kettleers,
Falmouth Commodores,
Harwich Mariners,
Hyannis Mets, Orleans
Firebirds, Wareham
Gatemen, and Yarmouth-Dennis
Red Sox.
The
players, most of
whom are stars of
their college teams,
live with volunteer
host families and
work part-time jobs
scheduled around
practices and games.
They participate
in parades and run
baseball clinics
for kids. All become,
in essence, local
celebrities; some
go on to become
Major League Baseball
stars. CCBL alumni
Jeff Bagwell, Nomar
Garciaparra, Todd
Helton, Carlos Pena,
Frank Thomas, and
Jason Varitek are
just some of the
big names who are
featured in the
film.
Most
years, the Red Sox
roster is bursting
with CCBL alumni.
The 2009 line-up
included Daniel
Bard (Wareham, 2005),
Aaron Bates (Brewster,
2005), Jason Bay
(Chatham, 1999),
Jacoby Ellsbury
(Falmouth, 2004),
pitching coach John
Farrell (Hyannis,
1982), Mark Kotsay
(Bourne, 1994),
Javier Lopez (Falmouth,
1997), Mike Lowell
(Chatham, 1994),
Justin Masterson
(Wareham, 2005),
Jason Varitek (Hyannis,
1991, 1993), and
Kevin Youkilis (Bourne,
2000).
The
two-DVD set includes
a tour of the Barnstable
Bat Company where
many of the league’s
regulation wooden
bats are handcrafted,
as well as other
behind-the-scenes
features. It was
named “2004
Best of New England” at
the Northern Lights
Film Festival and “Best
of Cape Cod” at
the Woods Hole Film
Festival in 2005.
It’s
been featured as
part of WGBH’s
fundraising efforts
that, in turn, has
helped fuel online
sales to recoup
the money invested
in the project.
As
to what the future
holds, Scharmer
says he may return
to his own baseball
roots as a pitcher
in Little League.
It may take the
form of a documentary
that culminates
at the Little League
World Series played
each summer in Williamsport,
Pennsylvania. Or,
closer to home,
it may be tee-ball
here in Wellesley
if any one of his
three daughters,
Janet, six; Celia,
four; or Eliza,
one, expresses more
than a passing interest
in the game.
Until
then, Scharmer and
his wife, Isabel,
will continue to
enjoy walking their
eldest daughter
the few blocks to
the local Hardy
Elementary School
and introducing
the whole gang to
snow sports. “They’ve
got to ride two
planks before they
can get on the tray,” Scharmer
says. Translation:
first skis, then
snowboard.
And
he’ll
continue to market
his baseball DVDs
to a wider audience.
One of the more
funky ideas came
to him sitting in
traffic as a car
sporting a company
logo inched by on
the way home from
the Cape. He’s
since had his SUV “wrapped” in
promotional imagery
of Touching the
Game.
Don’t
expect Scharmer
to be hawking the
DVDs from a Linden
Street parking lot
any time soon. He
is, however, hoping
local residents
who spot his car
zipping around town
will remember the
Web site and be
intrigued enough
to take a look:
www.touchingthegame.com.
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